Gene Stelzig, Distinguished Teaching Professor of English Emeritus, who has authored five books in the areas of Romanticism and Autobiography studies, has now published a collection of his autobiographical writings: True Lies and Short Takes: Assorted Life Writing Essays (Hamilton Books, an imprint of Rowman & Littlefield, 209 pages).
These essays focus on different experiences and periods of his life: a childhood spent in Austria, teenage years in an American school and then a lycée in France, coming to the U.S. as a young adult and attending college, studying in England for two years, and then settling permanently in the U.S. into an academic career. The word “essay” in the title is meant in its original or French sense, as an attempt or trial. The twenty-four items in this gathering are a kaleidoscopic collection of such attempts at different modes of self-reflexivity. They are arranged not so much in the chronological order of their composition as by way of loosely assembled thematic clusters. “True lies” suggests that by transforming lived experiences into language—by way of memory, imagination, and reflection—and often years and decades later, we inevitably alter them as we write them down. But we also re-experience them, and in so doing shift them into another register. True Lies is divided into three parts. “Austrian Roots” addresses Gene's early years, including his relationship with his Austrian parents. “Adult Branchings” focuses on his American adult life and identity. The final section, “Falling Leaves,” is for the most part a set of reflections on the later stages of life and the sense of mortality and of time running out—the challenge of “being in time” and the question of “what remains.”
Maureen Perkins and Mary Besemeres, the editors of the Routledge journal Life Writing in which three of Gene's essays have appeared, have said of True Lies:
“Eugene Stelzig here shares some extraordinary personal experiences. Informed by a long and distinguished career analysing the life writing of others, in these essays he puts aside the expert's voice, and reflects on what different encounters th